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s t a r g a z e presents the Post-Beethoven Festival at Volksbühne Berlin

Friday 21st May '21

How is Beethoven being celebrated in the 21st century? And, how can such a legacy be preserved without losing its richness over time?  The s t a r g a z e collective will explore these …

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WildKat welcomes André de Ridder

Tuesday 29th October '19

We are thrilled to welcome André de Ridder as our new client! André de Ridder is a highly regarded Berlin based conductor, curator and the founder of the ensemble ‘stargaze’. In a time where genre in …

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Welcome Spitalfields Music!

Tuesday 28th August '18

We are very happy to announce that we are working with Spitalfields Music Festival this year. Founded in 1976, this annual music festival is now in its 42nd year, bringing artists, audiences and the local community together …

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8th September: You should listen to music, while you work!

Friday 8th September '17

In todays news: A new programme for Spitalfields, Sistema's Scotland children's orchestra brings the noise, the Edge is helping out musicians in the flooded Texas area, the Chicago Lyric Opera recieves a suprise funding and …

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1st August: Lack of diversity in the classical music sector, Prom 19 celebrates Bowie & Cleveland International Piano Competition

Monday 1st August '16

Classical News In today's news, Alan Davey speaks about the lack of diversity in the classical music sector, Prom 19 celebrates Bowie with a reinterpretation of his music, and Cleveland International Piano Competition becomes a quadrennial …

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24th January: Barenboim to conduct La Scala Abbado tribute, Canterbury Cathedral’s first girl’s choir & Deutsche Grammophon embraces rock music

Friday 24th January '14

Classic FM Online Barenboim to conduct Abbado tribute at La Scala Daniel Barenboim, the current music director of La Scala, will lead the Milan opera house's orchestra in a tribute to former La Scala director Claudio Abbado, …

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#Recomposed by Max Richter, Vivaldi and a Classical Takeover

Tuesday 18th September '12

To say that we are excited about working with British composer Max Richter would be an understatement. You might be familiar with Max’s previous works: his film scoring (Waltz for Bashir, Prometheus, Shutter Island), his artistic …

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